Raga Nand, known variously as Anandi, Anandi Kalyan, Nand Kalyan, has
attained considerable popularity in recent times. Although the
provenance of the raga is not easy to pin down, it is thought to have
been conceived in the early 1900s. This beautiful raga is product of the highest musical imagination, a
masterful synthesis of melodic calculation and aesthetic imperatives.
The contours of Raga Nand do not obtain from simple, linear arohi or avarohani tonal ribbons. There are tantalising chhayas
of 3 or 4 ragas but its has an independent personality all its own.
Mastery of this melody requires assimilation of its kernel and its lakshanas. From Rajan Parrikar Music Archive.